The Shearwaters are celebrated as symbols of local and global interconnectedness. This year, the Shearwater Festival focussed on ‘Connecting to Country’ providing opportunities to learn about Aboriginal culture and the environment and to develop a deeper understanding of place. The festival took place on 25, 26 and 27 of November in various locations across Phillip Island.
There was motion on the ocean Friday night but for those who braved the cold wind and swell it was an inspiring excursion as the festival began with a boat trip around Cape Woolamai to see thousands of Shearwaters at sunset getting ready to fly back to their rookeries with the days the catch.
A packed program of non-stop quality musicians took to the stage for Saturday’s concert on Churchill Island, including the award winning Kutcha Edwards who recently received the Melbourne Prize for Music which is awarded to a Victorian musician whose work has made an outstanding contribution to Australian music and has enriched cultural and public life. Kutcha also took time to share stories and speak with local community in the yarning circle.
Sunday saw the introduction of new events to this year’s festival including the Cape Woolamai Fun Run which aims to get the community out and see the habitat of the Shearwaters and to encourage healthy life styles and learning about nature. The street parade, workshops, smoking ceremony, presentations and a twilight walk also took place on Sunday.
Preceding the Festival was the Shearwater Education Program which is facilitated in local schools and includes visits from artists, musicians, environmentalists and Community Elders and Respected Peoples. Linked to the Festival and the Education Program is the Cross-Cultural Message Exchange, in which artworks and messages are shared between artists, children and Indigenous Elders around the world.
Scroll down to see an image gallery from this years festival
On the 5th of October the fourth annual Tanderrum Ceremony took place at Federation Square. This ceremony is a traditional Eastern Kulin gathering comprising of 5 language groups, Woiwurrung (Wurundjeri), Boon wurrung, Taungurung, Dja Dja wurrung and Wathaurong. VACL assisted with extra support in language translations, pronunciation for each of the language groups, as well as the recorded voiceover component. VACL staff who are part of the Kulin Nation also participated in the ceremony.
In Tanderrum, the lore of the creator spirit Bunjil is acknowledged and the vibrant living culture of this country is celebrated. Tanderrum is significant as the ceremony wasn’t practiced in Melbourne between 1835 and 2013. Now every year the different groups of the Kulin nation meet to practise in the months leading up to the ceremony where the hours of work are well and truly evident in this outstanding event. Tanderrum attracts thousands of people to witness the rich linguistic and cultural knowledge of the people of the Kulin Nation in the combination of traditional songs, dances and ceremony.
To see more images from Tanderrum click here
To watch a video from the making of Tanderrum click here
Last week VACL hosted a language networking event Dhumba-djerring (talk together, from the Boonwurrung language) in Fitzroy. Language workers from across Victoria gathered over two days to participate in workshops and discussions and to share their experiences of awakening language in their communities and schools. It was positive to see young people and some new faces at this event as more and more people gain confidence and interest in our languages. Among the presentations were Brendan Kennedy's lesson on morphology, Aunty Doris Paton speaking about policies and strategies which have shaped the teaching of language in schools, Harley-Dunolly-Lee sharing his experiences of working with the Dja Dja Wurrung on sounds and spellings, Kris Eira on the issues and considerations when creating community dictionaries and Jenny Gibson who introduced the group to VACL's presence on Victorian Collections online. On the Thursday evening Paul Paton, Mandy Nicholson and Joel Wright took part in a panel discussion with Gregory Phillips to a packed audience at the Wheeler Centre.
Scroll down to see a video and images from Dhumba-djerring
For information on upcoming VACL presentations Reawakenings: the revival of Victorian Aboriginal languages click here
The Boon Wurrung word for the short-tailed shearwater is Biyadin. The bird is also known as Yolla, Muttonbird, Moonbird and Ardenna Tenuirostris. The shearwaters have deep cultural significance for the Boon Wurrung people, having brought the community together for thousands of years for feasts, gatherings and ceremonies, on what is now called Phillip Island.
The fourth Shearwater Festival was held on November 21st & 22nd, an annual creative, cultural and environmental event which brings Indigenous and non-Indigenous community members together to celebrate the return of the short-tailed shearwaters from their 15,000 kilometre migration. The shearwaters are celebrated as symbols of local and global interconnectedness.
This year's festival included a street parade, workshops, performances and guided walks and talks to the shearwater rookeries. The festival warmly welcomed members of refugee communities who now live in Australia, featuring a special concert 'Womin djeka Africa' (Welcome Africa) in which African and Indigenous performers collaborated in performance, art, music and song.
Preceding the festival is the Shearwater Education Program which is facilitated in local schools and includes visits from artists, musicians, environmentalists and Indigenous Elders. Linked to the festival and education program is the Cross-Cultural Message Exchange, in which artworks and messages are shared between artists, children and Indigenous Elders around the world. This year's festival featured Indigenous artists and community leaders from First Nations in Canada and the USA.
Scroll down to see images from this year's festival and a film titled 'Interwoven', concieved by Rachel Mounsey, commissioned by the Shearwater Festival and featuring poetry by Taungurung artist Mick Harding and Adnyamathanha Elder Uncle Dennis Seymour.
After several years of research, the Victorian Aboriginal Corporation of Languages (VACL) held a multi-book launch on the 10th of June to celebrate the release of three new publications. Each of these publications plays a role in celebrating VACL’s 20th year of language revival in Victoria.
The Journey Cycles of the Boonwurrung – 2nd Edition builds on the first edition written by Aunty Carolyn Briggs, and is a compilation of traditional Boonwurrung stories written with Boonwurrung Language. The book is significant in raising awareness of the connection to country, language and heritage for the people living on Boonwurrung land.
tyama-teeyt yookapa: Interviews from the Meeting Point Project is a collection of stories, reflections and hopes about Language revival in Australian Aboriginal communities extracted from a series of interviews carried out during 2009-10. It contains insights into every aspect of language revival from culture, relationships and identity, through grammar, sounds and spelling, to considerations of collaborative research and the meaning of authenticity.
The Journal of Assistant Protector William Thomas 1839-67 is to be released as a four-volume set. These books contain extensive transcribed and annotated text, images of the original text, and a volume of the Kulin language drawn from Thomas’s journals. Thomas is one of the few Europeans who described the cultural life of Aboriginal Australians with a sense of empathy; as a result his journals are one of the most important primary sources in Australian history.
The release of these new publications is part of the continuing movement to retrieve, revive and strengthen Indigenous Languages for Aboriginal people in Australia and demonstrates VACL’s continued commitment to supporting communities in the revival of Indigenous Languages for Aboriginal people in Australia.